| Question 1: Its typographical adventurousness was cited by ________ as one of the major forerunners of the revolution in graphic design in the 1920s and 1930s. | |||
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| Question 2: It contained work by ________ and T. S. Eliot as well as by the Vorticists themselves. | |||
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| Question 3: The Vorticism group began with the Rebel Art Centre which Wyndham Lewis and others established after disagreeing with Omega Workshops founder Roger Fry, and has roots in the ________, Cubism, and Futurism. | |||
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| Question 4: Though the style grew out of ________, it is more closely related to Futurism in its embrace of dynamism, the machine age and all things modern (cf. | |||
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| Question 5: A 1956 exhibition at the ________ was called Wyndham Lewis and Vorticism, highlighting his prominent place in the movement. | |||
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| Question 6: Lewis himself saw Vorticism as an independent alternative to Cubism, Futurism and ________[2]. | |||
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| Question 7: The name Vorticism was given to the movement by ________ in 1913[1], although Lewis, usually seen as the central figure in the movement, had been producing paintings in the same style for a year or so previously[3]. | |||
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| Question 8: After this, the movement broke up, largely due to the onset of ________ and public apathy towards the work. | |||
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