| 19th | Top musical instruments |
| Question 1: In ________, the melody line is called the lead. | |||
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| Question 2: Walter von Stolzing, Die Meistersinger von Nürnberg (________) | |||
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| Question 3: Orchestra choruses require tenors with fully resonant voices, but chamber or a cappella choral music (sung with no instrumental accompaniment) can rely on light ________ singing in falsetto. | |||
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| Question 4: Within ________, most tenor roles are written between B♭2 and A♭4, especially the romantic leads, although some fall as low as A♭2 and others as high as G5. | |||
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| Question 5: David, Die Meistersinger von Nürnberg (________) | |||
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| Question 6: Le Prince Charmant, Cendrillon (________) (when performed by a tenor, originally written for soprano) | |||
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| Question 7: Ferrando, Così fan tutte (________) | |||
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| Question 8: Chevalier, Dialogues des Carmélites (________) | |||
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| Question 9: Dick Johnson, La Fanciulla del West (________) | |||
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| Question 10: Turiddu, ________ (Pietro Mascagni) | |||
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