| Question 1: The second major shift of twentieth-century scenography of Shakespeare was in Barry Vincent Jackson's 1923 production of ________ at the Birmingham Rep. | |||
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| Question 2: The production became known as the Voodoo Macbeth, as Welles changed the setting to an eighteenth century ________ run by an evil king thoroughly controlled by African magic. | |||
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| Question 3: [13] The indoor setting, combined with the Jacobean vogue for lavishly staged ________, created new conditions for performance which enabled Shakespeare to introduce more elaborate stage devices. | |||
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| Question 4: He was replaced around the turn of the sixteenth century by ________, who played roles such as Touchstone in As You Like It and the fool in King Lear. | |||
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| Question 5: Shakespeare's plays continued to be staged after his death until the Interregnum (1642–1660), when most public stage performances were banned by the ________ rulers. | |||
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| Question 6: [43] In May 2009, Hamlet opened with Jude Law in the title role at the ________ West End season at Wyndham's. | |||
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| Question 7: The staging of the reported sea fights and barge scene in ________ was one spectacular example. | |||
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| Question 8: The other main theatre where Shakespeare's original plays were performed was the second ________, an indoor theatre built by James Burbage, father of Richard Burbage, and impresario of the Lord Chamberlain's Men. | |||
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| Question 9: Killigrew began at Gibbon's Tennis Court before settling into ________'s new theatre in Drury Lane. | |||
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| Question 10: Davenant's company began at the Salisbury Court Theatre, then moved to the theater at Lincoln's Inn Fields, and finally settled in the ________. | |||
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