Question 2: [6] Beaux
Arts academies held than non-Western and tribal peoples had had no
art or only inferior art, just as "________" held that
non-Europeans were inferior.
Question 3: Non-euclidean
perspective (________) and
tribal art fascinated Western European artists who saw them as
portraying the reality of the spirit world.
Question 4: In his later work he
adopted a more "________" neoclassicism, to use Nietzsche's terminology, although in his
use of serialism he
still rejects nineteenth-century convention.
Question 6: In the U.S., this
movement was often associated with Africans or ________--particularly the
popularity of Josephine Baker, jazz, and the broad characterization (esp.
Question 7: The nineteenth century saw for the first time the emergence of
________, or the
ability to judge different eras by their own context and criteria.
Question 8: Tribal and other non-European art also appealed to those who
were unhappy with the repressive aspects of European culture, as ________ art had done for
millennia.
Question 9: As the
European Enlightenment and the collapse of
________ ensued,
philosophers started questioning many fixed medieval assumptions
about the nature of man, the position of man in society, and the
dogmatic Catholic cosmology.
Question 10: It uses dissonance and loud, repetitive rhythms to depict "________" modernism, i.e.,
abandonment of inhibition (restraint standing for civilization).
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