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Ode to a Nightingale: Quiz

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Question 1: This is not to say that the song is a simple ________, but it is a complex image that is formed through the interaction of the conflict voices of praise and questioning.
MetaphorRhetoricAnalogyAristotle

Question 2: The nightingale experiences a sort of death and even the god ________ experiences death, but his death reveals his own divine state.
ArtemisApolloGreek mythologyHera

Question 3: "Ode to a Nightingale" is a poem by John Keats written in May 1819 in either the garden of the Spaniards Inn, or, as according to Charles Brown, under a plum tree in the garden of Keats House ________, London.
HampsteadHolbornHighgateCamden Town

Question 4: Of Keats's six major odes of 1819, "________" was probably written first and "To Autumn" written last.
Ode to PsycheJohn KeatsOde on a Grecian UrnCupid and Psyche

Question 5: The exact date of "Ode to a Nightingale" as well as "________", "Ode on Melancholy" and "Ode on a Grecian Urn" is unknown, as Keats himself only dated the poems as 'May 1819'.
Ode on IndolenceOde to PsycheJohn Keats's 1819 odesJohn Keats

Question 6: There is also an emphasis on words beginning with ________, especially those that begin with "b", "p" or "v".
Palatal consonantConsonantAlveolar consonantVelar consonant

Question 7: This theme appears before, in the blind ________'s epic Paradise Lost, where Book III describes the nightingale's song coming out of darkness.
LycidasJohn MiltonComus (John Milton)John Milton's reception history

Question 8: Furthermore, Keats began to reduce the amount of ________ based words and syntax that he relied on in his poetry, which in turn shortened the length of the words that dominate the poem.
Vulgar LatinRoman EmpireOld LatinLatin

Question 9: According to Keats's friend, ________, a nightingale had built its nest near his home in the spring of 1819.
John KeatsCharles Armitage BrownLondonCharles Brown (Taranaki)

Question 10: [3] During this time, ________, Keats's friend, was given a copy of "Ode to a Nightingale", and he shared the poem with the editor of the Annals of the Fine Arts, James Elmes.
Royal AcademyBenjamin HaydonLondonEngland







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